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Louis Cameron

bio

articles

 

articles:

Catalogs

2006 
Dak’Art 2006: 7th Biennial of African Contemporary Art. Exh. cat. Dakar, 2006.
Jones, Kellie, moderator. “Black Artists and Abstraction: A Roundtable,”
Energy/Experimentation: Black Artists and Abstraction, 1964-1980. Exh. cat. New
York: The Studio Museum in Harlem, 2006, p.112.

2005
Extreme Abstraction. Exh. cat. Buffalo: Albright-Knox Art Gallery, 2005.

2004
Open House: Working in Brooklyn. Exh. cat. Brooklyn: Brooklyn Museum, 2004.

2003 Kim, Christine, ed. “Handmade, Excerpts From A Conversation 5.23.03,” Hands
on, Hands down. Exhibition brochure. New York, New York: The Studio Museum in
Harlem.

2001
Lampkins-Fielder, Raina. Freestyle. Exh. cat. New York: The Studio Museum in
Harlem, 2001.

Press


2008
- Bonetti, David.  “Louis Cameron, Joseph Havel,” St. Louis Post-Dispatch, May 25, 2008.
- Cotter, Holand.  “The Topic is Race; The Art is Fearless,” The New York Times, March
   30, 2008, AR 1.

2007
- Colpitt, Frances.  “Black Light/White Noise,” artUS, Winter 2007, p. 58-59.
- Ludwin, Victoria.  “Black Light/White Noise: Sound and Light in Contemporary Art,
   Contemporary Art Museum,” artshouston, July 2007.
- Petersen, Amy.  “Black Light/White Noise,” HoustonPress, May 31, 2007.
- Richard Frances.  “High Times, Hard Times: New York Painting 1967-1975,” Artforum,
   April 2007, p. 265.

2006
- Dawson, Jessica.  “Spectrum of Warnings,” The Washington Post, September 30, 2006, C2.
- Capps, Kriston.  “Louis Cameron: Severe, High, Elevated, Guarded, Low,” Washington
City Paper, September 29, 2006, p.95.
- Murray, Derek Conrad and Murray, Soraya. “Uneasy Bedfellows: Canonical Art
Theory and the Politics of Identity,” Art Journal, Spring 2006, p. 23.
- Cotter, Holland. “Energy and Abstraction at The Studio Museum in Harlem,” New
York Times, April 7, 2006, B27.
- Genocchio, Benjamin. “Exploring the Circle From Every Angle” New York Times,
January 1, 2006.

2005
- Nichols, Matthew Guy. “Louis Cameron at I-20,” Art in America, September 2005,
p. 156.
- Murray, Soraya and Murray, Derek Conrad. “A Rising Generation & the Pleasures
of Freedom,” International Review of African American Art, Volume 20, Number 2,
p. 3.
- Church, Amanda. “Louis Cameron: “Pop Secret” at I-20 Gallery” Art on Paper, May-
June 2005, p. 75.

2004
- Beyer, Charles G. “Working in Brooklyn,” Flash Art, July – September 2004, p. 65.
- Bey, Dawoud. “The Ironies of Diversity, or the Disappearing Black Artist,” Artnet,
April 8, 2004, <http://www.artnet.com/Magazine/features/bey/bey4-8-04.asp>.
- Selbach, Gerard. “Buy American,” paris-art.com, March, 2004,
<http://www.pareis-art.com/modules-modload-liez-travail-1554.html>.
- Nichols, Matthew Guy. “‘Hands On, Hands Down,’ at The Studio Museum in
Harlem,” Art in America, February 2004, p. 126.

2003
- Rubinstein, Raphael. “A Quiet Crisis,” Art in America, March 2003, p. 39.

2002
- Brockington, Horace. “Paint It Black: Abstraction/ A Trans-History,” NY Arts
Magazine, September 2002, p. 63.
- Byrd, Cathy. “Is there a ‘post-black’ art? Investigating the legacy of the ‘Freestyle’
show,” Art Papers, November/December 2002, p. 34-39.
- Cotter, Holland. “No Greater Love: Abstraction,” New York Times, October 11,
2002, E38.
- Irvin, Steve. “Freestyle at the Santa Monica Museum of Art,” Artweek, December
2001/January 2002, p. 18.
- New American Paintings, March 2002, Number 38, p. 30-33. Juror: Lilian Tone.
- Schmerler, Sarah. “Tract: systemic sprawl,” Time Out New York, July 11-18, 2002,
p. 47.

2001
- Brockington, Horace. “Freestyle: Studio Museum in Harlem,” NY Arts Magazine,
June 2001, p. 36-37.
- Cotter, Holland. “A Full Studio Museum Show Starts With 28 Young Artists and a
Shoehorn,” New York Times, May 11, 2001, E36.
- Griffin, Tim. “Race Matters,” Time Out New York, May 24-31, 2001, p. 55-56.
- Murray, Derek. “Freestyle,” NKA: Journal of Contemporary African Art, Fall/Winter
2001, p. 92-93.
- Murray, Derek. “Home to Harlem,” The International Review of African-American
Art, Volume 17, Number 4, 2001, p. 48-51.
- Valdez, Sarah. “Freestyling,” Art in America, September 2001, p. 134-139, 162.
- Waxman, Lori. “Freestyle,” New Art Examiner, November-December 2001, p. 90.

2000
- Harvey, Doug. “Gender, Race,” LA WEEKLY, August 4-10, 2000, p.47.

1999
- Ise, Claudine. “Framing the Many Possibilities of Photography in the Tech Age,” Los
Angeles Times, March 5, 1999, F34.