s
 
  G Fine Art Gallery Info Selected Archives Artists
 

Richard Chartier

bio

articles

curator's notes/statement

 

articles:

O’Sullivan, Michael. “Artist Goes Flat-Out to Draw the Viewer In”, The Washington Post, February 19 (2009) USA: WE19
Rickman, Johnathan. “Temporary Pleasures”, Washington Post Express, February 19 (2009) USA: E6
Hatanaka, Minoru. “Richard Chartier”, Intoxicate vol.#77 (2008), Japan: p31
Licht, Alan Sound Art: Beyond Music, Between Categories, Rizzoli, USA (2007)
EXTRACT: Portraits of Sound Artists, Ed. Heribert Friedl+Raphael Moser. Non Visual Objects, Austria. (2007)
Neugarten, Rachel “Subtle Arts,” The Oregonian, April 13 (2007) USA
Binstock, Jonathan P. “Ways of Scene” Capitol File, Spring (2007) USA: p184
Langlais, Jérôme “Richard Chartier” Fear Drop, Editions Fear Drop, Issue 13, (2007) France: p22-25
Lee, Sam “Minimum Impact” Time Off, Sept 27 (2006) Australia: p24
Tuttle, Andrew “Chartier Buster” Rave Magazive, Sept 26 (2006) Australia: p13
Massey, Bob “Sound & Vision” The Washington Post Express, March 30 (2006) US: E5
Montgomery, William “On the Surface of Silence: Reticence in the Music of Richard Chartier” Blocks of Conciousness and the
Unbroken Continuum. Ed. Brian Marley+Mark Wastell. Sound 323, UK. (2005)
Bolle, Susanna. “FFWD: Richard Chartier” Grooves, No.16 (2005) US:22
Cox, Christopher. “Return to Form” Artforum International XLII, No. 3 (2003) US: 67
McCabe, Bret. “Its Oh So Quiet” Baltimore City Paper 27.29 (2003) US: 20-21
Nasrallah, Dimitri. “Reclaiming Cultural Excess: The Anatomy of Unessentialism” The Blow Up Issue 7 (2003) US
Guitton, Maxime. “Á Bruit Secret.” Chronic’Art Issue 9 (2003) France
McCabe, Ryan. “Richard Chartier at the Contemporary Museum.” Radar: Baltimore Arts and Culture Issue 3 (2002): 19.
Gross, Jason. “Previews: Richard Chartier-Whitney Museum of American Art.” TimeOut NY Issue 352 (2002) US: 113
Ramos, Anna & Roc Jiménez. “Amor digital: música experimental en la década de los noventa” Loops. Una historia de la
música electrónica. Ed. Javier Blanquez and Omar Morera. Mondadori, Spain: Reservoir Books. ( 2002): 437-472
Huberman, Anthony. “Ether Talk.” The Wire Issue 219 (2002) UK:
Boon, Marcus. “Removal Company.” The Wire Issue 218 (2002) UK: 14.
Griffin, Tim “Bi American.” TimeOut NY Issue 337 (2002) US: 81
Gopnik, Blake “As American As Jambalaya.” The Washington Post March 7 (2002) US: C1
Miller, Nicole. “New Works for the Eyes, Ears & Mind.” The Washington Post February 28 (2002) US: C1
Sherburne, Philip. “12k:Between Two Points.” Organised Sound 7.1 (2002) Cambridge University Press, UK: 171–176
Sasaki, Atsushi. “Analyzed Silence: Audibility of ‘lowercase sound.’ “ Post-Techno[logy] Music. Ed. Akihiro Kubota. Tokyo,
Japan: Oomura Shoten (2001): 323-351
Winters, Pamela. “White Magic” Washington City Paper 21.50 (2001) US: 58
Tittley, Nicolas “Tout Petit, la planéte.” Voir April 5 (2001) Canada
Cascone, Kim “The Aesthetics of Failure: ‘Post-Digital’ Tendencies in Contemporary Computer Music.” Computer Music
Journal 24.4 (200) US: 12–18
Searing, Daniel “Hears the Grass Grow.” Washington City Paper 19.15 (1999) US: 54
Lewis, Nicole “A Site For Sore Ears.” The Washington Post November 18 (1999) US
O’Sullivan, Michael “ ‘Fuzzy’ Wuzzy Bearable.” The Washington Post March 26 (1999) US