G Fine Art Gallery Info Selected Archives Artists

Vesna Pavlovic



curator's notes/statement



Fortin, Sylvie, Print Performance, Esse magazine. No. 81, 2014 2013
Joiner, Dorothy, Fabrics of Socialism, World Sculpture News, Volume 20, Number 1, Winter 2014, exhibition review with image reproduction
Arantes, Priscila, Arquivo Vivo, exhibition catalog, Paço das Artes, São Paulo, Brazil, image reproduction with text
Alexander, Andrew, Grinding the Individual From the Fabrics of Socialism at Whitespace, Burnaway, November 7, 2013, http://burnaway.org/grinding-individual-fabrics-socialism-whitespace/
Grissom, Harriette, Vesna Pavlovic’s poetic exploration of media as propagnada in native Yugoslavia, at Whitespace, Arts Atl, November 7, 2013, http://www.artsatl.com/2013/11/review-vesna-pavlovics-poetic- exploration-media-propaganda-native-yugoslavia-whitespace/
Sullivan, Karley, Burnaway, artist interview, http://burnaway.org/2013/09/in-conversation-talking- cultural-records-with-vesna-pavlovic/
Grant, Allison, Spectator Sports exhibition catalog, Museum of Contemporary Photography, Chicago, IL, USA
Dimitrijevi, Branislav, Reflections on Images, Salon of the Museum of Contemporary Art, Belgrade, Serbia, Press release with image reproduction
Dimitrijevi, Milica, Reading of the Archive, Politika, exhibition announcement with image reproduction, http://www.politika.rs/rubrike/Kultura/Citanje-foto-arhiva.lt.hml
Kelly, James Pepper, Filter Photo Festival, http://filterphoto.tumblr.com/post/44662990780/ archetypedrift exhibition preview with image reproduction March 2013
Seed Space, Real Images, Exhibition catalog, February 2013
Bubis, Rachel, Exhibition review with image reproduction, February 2013
Horodner, Stuart, Exhibition review with image reproduction, February 2013
Nolan, Joe, “Getting Real: Vesna Pavlovic’s photography installation at Seed Space takes aim at sight,” http://www.nashvillescene.com/nashville/vesna-pavlovics-photography-installation-atseed- space-takes-aim-at-sight/Content?oid=3275198, exhibition review with image
reproduction, February 2013
Py[, Pavel S., Bucharest Biennale 5, Issue 149, September 2012, http://www.frieze.com/issue/
review/bucharest-biennale-5/, exhibition review
Nae, Cristian, Tactics for the Here and Now: The 5th International Bucharest Biennial for Contemporary Art, Art Margins Online, Exhibition review, artmargins.com
Wilson-Goldie, Kaelen, Art Forum, Tactics for the Here and Now, Bucharest Biennale 5. October 2012, exhibition review
Jelena Mati, ''Photography After Socialist Realism", in "History of Art in Serbia, XX Century: Realisms and Modernism around the Cold War, II volume, Orion Art, Belgrade, 2012, p. 427-447.
üThe Nashville Scene, Best Visual Artist, Arts, Music & Culture Writers' Choice Best
of Nashville 2012, http://www.nashvillescene.com/nashville/arts-music-and-culturewriters- choice/Content?oid=3039725
Spaceship Yugoslavia, The Suspension of Time, November 2011, Spaceship Yugoslavia, The Suspension of Time, exhibition, NGBK - Neue Gesellschaft für Bildende Kunst, Berlin,
Germany, catalog
Rodrigue, Reggie Michael, The Only Star That Doesn’t Creak: Hauntology, June 5, 2012, Oxford American magazine, http://www.oxfordamerican.org/articles/2012/jun/05/only-stair-doesntcreak- hauntology/, article with image reproduction
Unwin, Richard, Bucharest Biennale announces artists for 2012, The Art Newspaper May 7 2012. , article about the Biennial with image reproduction
Bucharest Biennial, Tactics for the Here and Now, Exhibition catalog
Schwartz, Alexandra, Vesna Pavlovic’s Projected Images, Essay August 2012. http:// gfineartdc.com/images-detail.cfm?recordID=892
Jenkins, Mark, Projected Images’ catches flash, fade of life experience, The Washington Post, June 15 2012, page C10. , exhibition review with
image reproduction.
orevi Helena, Projektovane slike, B92 June 10 2012. , exhibition review with images reproduction
Hutson, Laura, The Artist, Vesna Pavlovi, Nashville Scene, The People’s Issue March 1-7,
Khazam, Rahma, Du Monde clos a l’univers infini (From the Closed World to the Infinite Universe), Le Quartier Centre D’art contemporain de Quimper, Artforum.com, March 2012, exhibition
Morain, Odile “ ‘Du monde clos a l’univers infini’ exploration du pouvoir des images a
Quimper”, Culturebox February 6 2012. http://www.francetv.fr/culturebox/du-monde-clos-alunivers- infini-exploration-du-pouvoir-des-images-a-quimper-79997, press release with images
Untitled (12. Istanbul Biennial), 2011, Untitled (12. Istanbul Biennial), exhibition, Istanbul, Turkey, catalog
A Museum for Photography, 2011, Photobienniale, exhibition, Thessaloniki Museum of Photography, Thessaloniki, Greece, catalog
Hoffmann, Jens, Untitled, (12th Istanbul Biennial) 2011, The Biennial Guide, artist interview Untitled, (12th Istanbul Biennial,) 2011, Istanbul Foundation for Culture and Arts, exhibition catalog
Tan, Pelin, About “Untitled”: 12th Istanbul Contemporary Biennial, Pipeline magazine, Hong
Kong, China, Taiwan, Issue 24, November 2011, exhibition review with image reproduction
Graves, Jen, Seeing Double, Stolen Gold, an Upside-Down Tank, a Haunted Warren, and Infestation of Consumer Products, and Other Signs of Global Unrest at the Istanbul and Venice Biennials, The Stranger, November 2, 2011, exhibition review
Edwards, Susan, 12th Istanbul Biennial, Nashville Arts Magazine, November 2011, exhibition overview with image reproduction
üWatts, Patricia, Istanbul Biennial, Biennial as a Curatorium, Art.net magazine, http:// www.artnet.com/magazineus/features/watts/2011-istanbul-biennial.asp, exhibition review with
image reproduction
Estes, Sara, Projected Histories, Number Magazine # 68, exhibition review with image
Christy, Matt, Projected Histories, Art Papers, September-October 2011, Editor’s Pick,
exhibition review with image reproduction
Novotny, Mark, Ausstellung im Ringturm: Blockfrei und farbenfroh, Der Standard, Austria, July
22, 2011, exhibition review with image reproduction
Nolan, Joe, Unseen Forces, At the Frist Center’s new photography exhibit, what you get is rarely what you see, The Nashville Scene, June 23, 2011, exhibition preview with image reproductionEdwards,
Susan, Vesna Pavlovi: Projected Images, the Frist Center for Visual Arts, exhibition catalog
Museum of Photography Thessaloniki, Topoi, Photo Biennale, exhibition catalog with image reproduction
Reframing Photography, Theory and Practice, Routledge, UK, Online resource for photography, work featured on: http://www.reframingphotography.com/artists/vesna-pavlovic, artist interview featured on the website, textbook entry
Sanchez, Marissa, Decoys, Search for Landscapes, exhibition catalog
Dietsch, Deborah K., Serbian perspectives; Mixed reactions to Balkan conflict at Katzen Arts, The Washington Times, May 17, 2009, exhibition review with reproduction of work
Shedlmayer, Nina, A Question of Location, Land of Promises, Contemporary Serbian Photography, Galerie ArtPoint, Vienna, Art Magazine, 09.02.09, exhibition review
Daily Serving, An International Forum for Contemporary Visual Arts, Patch Dynamics - Six New Invasions to the Field, 12/30/2008, http://dailyserving.com/2008/12patch-dynamics-six-newinvasions- to-the-field/, exhibition review
Schemmel, Annette, Seen Behind the Iron Curtain, Vesna Pavlovi’s “Collection/Kolekcija”, in De-collecting, Edition FRAC Nord-Pas de Calais, December, exhibition catalog
Lawrimore, Scott and Ott, Yoko, Patch Dynamics, Six New Invasions to the Field, exhibition press release, Lawrimore Project gallery, Seattle, WA, USA, December
Dawson, Jessica, Dark Displays of the American Dream, Washington Post, June 9, exhibition review with reproduction of work
Howell, George, The Other Side of Events, The Photography of Vesna Pavlovi, Art Papers, May-
June, artist interview with reproduction of work
Holert, Tom, The New Normal, On Contemporary Art in Belgrade, Art Forum, February, exhibition review with reproduction of work
Dimitrijevi, Branislav, The Last Decade: Art, Society, Trauma and Normality, in “On Normality, Art in Serbia, 1989-2001”, Museum of Contemporary Art, Belgrade, Serbia and Montenegro,
üexhibition catalog
Shields, Scott A., Introduction to the Watching Project, in “Watching the Sacramento Kings”, Crocker Museum of Art, Sacramento, exhibition catalog
Hannula, Mika, Learning How to Lose, in “Situated Self, Confused, Compassionate and Conflictual”, Belgrade, Helsinki, Finland, exhibition catalog
Vesi, Jelena, No More Reality, Crowd and Performance: Re-enactment, Public Space and Collective Utopia, The Version Magazine, Vol. 5, article with reproduction of work
Fisher, Elizabeth, Rearview Mirror, Kettle’s Yard, University of Cambridge, Great Britain, exhibition catalog
Le Feuvre, Lisa, Mediterranean, Between Reality and Utopia, GREAT magazine No 55, Photographers’ Gallery, exhibition catalog
Howell, George, Sculpture Gardens, Art Papers, January-February, exhibition review with reproduction of work
Tupanjac, Vladimir, Watching 01, Praesens, Central European Contemporary Art Review No 2, exhibition review with reproduction of work
Gopnik, Blake, Not Your Garden – Variety Art, The Washington Post, September 28, exhibition review with images reproduction
Vesi, Jelena, Sculpture Gardens, exhibition essay, invitation card Tupanjac, Vladimir, Watching 01, exhibition catalog
Tupanjac, Vladimir, The Beauty of the Neglected, Reporter magazine, September 10, exhibition review with images reproduction
Phillips, Christopher, Reading Rooms, exhibition essay, invitation card
Dixon, Glenn, Guaranteed Late Arrival, The Washington City Paper, May 17, exhibition review with image reproduction
Miti, Boris, Time-out Catharsis, Reporter magazine, February 4, exhibition review with images reproduction
Dawson, Jessica, Hotels, Teme Celeste, exhibition review with image reproduction
Radi, Nenad, Apt. # 3, 42nd October Salon, exhibition catalog
Nuridsany, Michel, Belgrade, Bambi est mort, Le Figaro, January 12, exhibition review Salzirn, Tatiana, Innocent Gaze?, Imago No 12, Summer, exhibition review
Dimitrijevi, Branislav, Text About Artists, Ars Danubiana exhibition catalogue
Velimir urgus Kazimir, Album for Memory, REFOTO magazine No 6, August, exhibition
review with images reproduction
Dragi evi-Šeši, Milena, The Art in Protest, The Last Decade, book entry 2000
Tijardovi, Jasna, A Photographed Place, exhibition catalog
Holler, Herwig, G. In erwartung des postpessimismus, Springerin magazine, exhibition review Dawson, Jessica, Cream and Sugar With That?, The Washington City Paper, June 16, exhibition review with image reproduction
Dimitrijevi, Branislav, Innocent Life, exhibition catalog
Riding, Alan, In Barcelona, Savoring Eroticism and Its Artists, New York Times Magazine, November 3, exhibition review
Combalia, Victoria, On Eroticism of the Nineties, in Garden of Eros, exhibition catalog
Lebel, Jean-Jacques, First of All the Gods, Eros was Dreamed, Garden of Eros, exhibition catalog
Prodanovi, Mileta, In Interspace between “High” and “Underground” Art, in Art at the End of the
Century, http://www.rastko.rs/likovne/xx_vek/mileta_prodanovic_e.html, book entry Michel Nuridsany, Exil et Nomadisme, Le Figaro, September 30, exhibition review
De Leon, Eloise, Creating Art in the Balkans, part 2, Art Changes / In Motion Magazine, February 17
Racanovi, Svetlana, Trans Over America, Vreme, August 29, exhibition review with images reproduction
Bjelica, Estela, Photography of the Nineties, Art at the End of the Century, http://www.rastko.rs/ likovne/xx_vek/estela_bjelica_e.html, book entry